In light of recent events, I’ve been working on & off trying to write something about sexism in the computer industry. But it’s hard to do the topic justice in a single post. Instead, I’d like to look the industry’s omnipresent love affair with the female form. In other words, let’s start by talking about an immensly popular, transformative, and iconic computer from the 1960s, and the oldest example of computer pornography I know.
IBM’s 1401 was one of the first computers to be built entirely using transistors instead of vacuum tubes. The new solid state technology made the 1401 smaller and more affordable than its predecessors. It was also much easier to program. Those attributes made it incredibly attractive to businesses in the early 1960s.
Read IBM’s tribute to the iconic 1401 family
The machine’s popularity was a blessing and a curse. Developers loved working with the 1401 and its peripherals, especially the 1403 printer. Corporate leaders and bureaucrats wanted to see what the futuristic new machine was could do, owing to both professional due diligence and human curiousity. This combination of programmers eager to show off and stakeholders hungry for a demonstration they could understand led to the birth of a nacent demoscene.

IBM 1401 Family
It wasn’t long before programmers noticed a “cellolike hum” when an AM radio was brought close to the 1401’s memory, and the 1403’s new “chain printer” technology was capable of belting out mechanical reditions of classical tunes and standards. These early digital artistic endeavours still captive audiences today:
That […] is why IBM staff, who had come to regard the 1401 as a musical friend over the years, held a “funeral” for the computer when it was decommissioned.
“I think the engineers formed an attachment to this machine above others they worked with precisely because they gave it these ‘human’ qualities — the ability to make music,” he said. “They felt they couldn’t just throw it away […]”
Music wasn’t the only artistic outlet for 1401 programmers. The 1403 printer offered a new dimension of control over the computer’s output. And in the hands of less academic users than previous machines, it was put to rather prurient use:
[…] some clever operators figured out that it was possible to “do rudimentary ‘graphics’ using only the characters available on the print chain and different degrees of overstriking to get darker and lighter areas.” This graphics technique was mainly utilised to print pictures of Playboy models, Mona Lisa and the moon (this being the Space Age).
- Humans Thinking Like Machines (emphasis mine)
EDITH was another popular graphical program for the 1401. Some sources claim, but I can’t confirm, that EDITH was available from IBM itself. Regardless, this program was immensly popular and traded openly among programmers, who still remember it fondly.

IBM 1401 sense switches
The EDITH program relied on the “sense switches” on the 1401’s operator’s panel:
It would print a picture of a woman in evening dress accompanied with the text: THIS IS EDITH, ANOTHER OPTIONAL FEATURE OF YOUR IBM 1401. IF YOU WOULD LIKE TO LEARN MORE ABOUT HER RE-RUN THE DECK WITH SS A. The program then proceeded through selections made by flipping the printer “sense switches” A, B, C, D and E, controlling EDITH’s different states of clothing. The B switch would produce EDITH in skimpier clothing with a top and short-skirt, followed in C by a tiny bikini. If the operator should be so daring as to proceed to D after the warning, “WARNING: FURTHER SWITCHING OF SS D IS NOT RECOMMENDED!” he would be treated with the anti-climax of an EDITH holding up a “modesty” sign saying “SORRY, YOU CAN’T DO EVERYTHING WITH A 1401. (NO MATTER WHAT OUR SALES FORCE MIGHT SAY.)” Although rumours tell of how running the program with the E switch would actually show a totally nude EDITH with a caption like “WELL, MAYBE YOU CAN DO ANYTHING WITH A 1401.”
For more information on the IBM 1401, please see the tribute site and blog from the Computer History Museums 1401 restoration project at ibm-1401.info.
The Computer History Museum also held a tribute to the 1401 in honor of its 50th anniversary.
And no, I don’t have any pictures of EDITH to share. Sorry!
If you like this, Dave recommends…
The first album for 4AD from this Icelandic composer is an expanded version of a performance piece originally written for the dancer and choreographer Erna Omarsdottir, and which has been performed in more than 40 European cities. This new incarnation was scored for a 60-piece string orchestra and the four original movements were joined by a completely new finale. The final mix incorporates electronics and vintage reel-to-reel recordings of the IBM 1401 mainframe computer which inspired the piece in the first place.




